1/8/2024 0 Comments Soundmixer playallIt sounds a bit muddy as far as the way that the elements are playing off each other. But there are things that are synced out. The piano is sitting right in the mix and the lead isn't cutting through the mix like I want it to, and I definitely know the vocals, they still need to be mixed in properly and I need to do some work on those. I think the mid bass might be too loud, I'm not sure. So, I need to check the kick in the baseline levels. I've never listened to music on these monitors before, so I'm not just teaching you this class, just throwing this information out there, I'm actually going to practice this stuff today while I mix this track down. I'm actually going to have to really put all this stuff to the test. So, I'm going to play you a rough clip of this really raw version of my song and then I'm going to show you some of the reference tracks so you guys can get an idea of what I'm talking about. I don't want to sound exactly like it, but it needs to be in the same ballpark as those tracks. So, I've picked a couple of tracks that I know I want my song to stand up next to. You need to know what you want to sound like, where you're trying to go, and part of that preparation is picking your reference song or songs. Preparation: So, this section of the class we're going to call, "Preparation" because it's all about preparing everything for your mix. Does it sound really big and fat in the low end? Is it a bit punchier? Is it really wide? Is it really warm sounding? These are all things that you're going to want to start taking notice of so that you have a goal of what you're trying to shoot for.ΔΆ. Not melodically, not idea-wise, but professionally. It's really important when you sit down to mix a track, you need to have a goal in mind of, "I want this to be in the same ballpark as this track that I really love." Find a DJ or a producer that you love and pick a track of theirs that you love that you want your song to sound like. All of those things are great options, but what is important is whatever environment you're going to mix your track in, you need to make sure you're listening to lots and lots of music from other people in that environment, so you can start to train your ear and have an understanding of how your room sounds, or your headphones sound, so that when you go to mix down your track, you know what the standard is that you're trying to achieve. I'm going to hopefully teach you guys some skills where no matter what setup you guys have, you're going to learn how to reference your material against the songs that you love and are kind of the industry standard, so that we can bring the best out of you as an artist, whether you have iPod headphones, whether you had Beats headphones, whether you have Bose headphones, or you have wonderful monitors and a beautiful studio. My last single that came out a couple of weeks ago, I mixed and mastered the whole thing on iPod headphones because it's all about referencing. One thing that I've been forced to do is I'm doing a lot of traveling and playing shows around the world right now that I have had to learn how to produce, mix, and master everything on the road. All those things come together to make a really good sounding mix down. When I talk about mixing, what I'm saying is how all the elements in your song are balanced against each other with loudness, brightness, how big, how soft, how fat, how wide. He's doing huge things right now, and this is a collaboration we're working on. So, this is a track that I am working on with a guy named Sam Feldt. It's one thing to create a beautiful idea, it's another thing to have it sound good and sound professional. It's King Arthur here again, and today's class is going to be about mixing down your tracks.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |